Plagal

What do 'dominant' and 'plagal' mean in medieval music?

What do 'dominant' and 'plagal' mean in medieval music?

Dominant: a major chord, built on the tone a perfect fifth above the tonic, used to form authentic, half, and deceptive cadences. Plagal: a cadence type (disputed by some) moving from a chord without the leading tone to the tonic chord.

  1. What does plagal mean in music?
  2. What is the meaning of the word plagal?
  3. Why is it called plagal?
  4. What is plagal and authentic?

What does plagal mean in music?

plagal. / (ˈpleɪɡəl) / adjective. (of a cadence) progressing from the subdominant to the tonic chord, as in the Amen of a hymn. (of a mode) commencing upon the dominant of an authentic mode, but sharing the same final as the authentic mode.

What is the meaning of the word plagal?

1 of a church mode : having the keynote on the fourth scale step — compare authentic sense 4a. 2 of a cadence : progressing from the subdominant chord to the tonic — compare authentic sense 4b.

Why is it called plagal?

A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') has a range that includes the octave from the fourth below the final to the fifth above. ... In Byzantine modal theory (octoechos), the word "plagal" ("plagios") refers to the four lower-lying echoi, or modes.

What is plagal and authentic?

The general difference is threefold. Range. Authentic has a higher range usually from the subtonic to the octave. Plagal has a smaller range, or at least the melody does not deviate too far from the tonic: it is often between four steps below to the fifth above.

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