Fugue

Toccata and fugue in d minor form

Toccata and fugue in d minor form

The “Toccata and Fugue in D Minor, BWV 565” follows a simplified structure, typical to north-German pieces - comprising of a free “opening section,” a “fugal section,” and culminating in a short free “closing section.” ... One passage in the fugue section is identical to “D minor fantasias” of Johann Pachelbel.

  1. What is the form of a toccata?
  2. What is the difference between a toccata and a fugue?
  3. What is the harmony of Toccata and Fugue in D minor?
  4. What form is fugue in G minor?

What is the form of a toccata?

Toccata, musical form for keyboard instruments, written in a free style that is characterized by full chords, rapid runs, high harmonies, and other virtuoso elements designed to show off the performer's “touch.” The earliest use of the term (about 1536) was associated with solo lute music of an improvisatory character.

What is the difference between a toccata and a fugue?

The toccata usually has a free form that sounds improvisational. The toccata is discussed in Unit 5. The term “fugue” is derived from the Latin fugere (to flee) or fugare (to chase), and “chase” is a good visual image for what happens in a fugue.

What is the harmony of Toccata and Fugue in D minor?

Although only simple triadic harmony is employed throughout the fugue, there is an unexpected C minor subject entry, and furthermore, a solo pedal statement of the subject—a unique feature for a Baroque fugue. Immediately after the final subject entry, the composition resolves to a sustained B♭ major chord.

What form is fugue in G minor?

Ritornello form, the Baroque version of rondo form, was used in the fast movements of concertos by Antonio Vivaldi and others.

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