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THE MODES (The Medieval Church Modes)
| Ionian (major) | C, D, E, F, G, A, B, C |
|---|---|
| Lydian | F, G, A, B, C, D, E, F |
| Mixolydian | G, A, B, C, D, E, F, G |
| Aeolian (minor) | A, B, C, D, E, F, G, A |
| Locrian | B, D, C, E, F, G, A, B |
What are the 8 church modes in music?
The eight modes
Seven of them were given names identical with those used in the musical theory of ancient Greece: Dorian, Hypodorian, Phrygian, Hypophrygian, Lydian, Hypolydian, and Mixolydian, while the name of the eighth mode, Hypomixolydian, was adapted from the Greek.
What are the church medieval modes?
Medieval modes (also called Gregorian mode or church modes) were numbered, either from 1 to 8, or from 1 to 4 in pairs (authentic/plagal), in which case they were usually named protus (first), deuterus (second), tertius (third), and tetrardus (fourth), but sometimes also named after the ancient Greek tonoi (with which, ...
Are church modes scales?
Ionic, dorian, phrygian, lydian, mixolydian, aeolian, and locrian: otherwise known as the church modes. These influential scales originated in the church music of the middle ages and are still used today in classical music, pop, jazz, rock, and even metal.
