The simplest approach to de‑essing is to turn down the level of the vocal signal whenever sibilance occurs. Some engineers do this manually, either by carefully editing vocal sibilants onto a separate track or by using detailed fader automation.
How do you get rid of sibilance in vocals?
Here are the top 7 tips to reduce sibilance in your microphones:
- Choose a microphone with a darker character.
- Distance yourself from the microphone.
- Tilt the microphone slightly off-axis.
- Place your finger or a pencil against your lips.
- Fix with a de-esser.
- Fix with equalization.
- Ride/automate the fader/levels.
Do you need to de ESS vocals?
A: Ultimately, the answer depends on how offensive sibilance is in your vocal tracks. If it's noticeable, then de-essing is a good idea. ... The process generally uses sidechain compression, gain reduction, and sometimes parametric EQ to reduce the level of sibilant passages without altering the rest of the signal.