Double

in 4 part harmony is it bad practice to double the bass of the I6 chord?

in 4 part harmony is it bad practice to double the bass of the I6 chord?
  1. What are the rules of harmony?
  2. Can V7 go to I6?
  3. What do you double in a second inversion chord?
  4. How do you write four parts of vocal harmony?

What are the rules of harmony?

Grade Six Music Theory - The Rules of Harmony

Can V7 go to I6?

The seventh of the V7 (the subdominant scale degree) must resolve down by step to the third of the I chord (the mediant scale degree). V7 may not resolve to a I6. (e) The fifth of the I, V, or V7 may be omitted. ... Do not double the leading tone (^7, the third of the V chord).

What do you double in a second inversion chord?

To generalize, here are the doubling rules for voice leading triads in root position, first inversion, and second inversion:

  1. Root Position Chords: DOUBLE THE BASS.
  2. First-Inversion Chords: DO NOT DOUBLE THE BASS. Exception: vii vii ∘ 6 and ii ii ∘ 6 : DOUBLE THE BASS. ...
  3. Second-Inversion Chords: DOUBLE THE BASS.

How do you write four parts of vocal harmony?

The Notation

As we said, 4-part harmony is written for 4 voices: Soprano, Alto, Tenor and Bass (SATB in short). The notation for these is written on two staves: one in the treble clef for the Soprano and Alto parts and the other in the bass clef for the Tenor and Bass parts.

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